The Menzingers Record Ninth Album in South Philadelphia, Exploring New Creative Territory
The Menzingers recorded their ninth studio album "Everything I Ever Saw" at producer Will Yip's newly built studio in South Philadelphia, their home neighborhood for 20 years. The band, originally from Scranton, has been a fixture of Philadelphia's indie rock scene since 2008 and chose to record locally rather than travel to legendary studios. The album explores personal themes including divorce and parenthood while maintaining the urgency that defines their rock sound.
The Menzingers recorded their ninth studio album "Everything I Ever Saw" at producer Will Yip's newly constructed studio in South Philadelphia, where the band has lived for two decades. Rather than traveling to renowned studios in Los Angeles or other major cities, the four-piece—comprising Greg Barnett, Tom May, Eric Keen, and Joe Godino—chose to work in their own neighborhood, frequenting familiar local restaurants and venues during the recording process. The band began writing in April and recorded from September into October, working with Yip, who has produced two of their previous records and is described as a close personal friend. The album addresses significant life events including divorce and welcoming a first child, with the band crediting their comfort and sense of home in South Philadelphia as enabling greater vulnerability in their songwriting. Barnett emphasized that the relaxed, enjoyable recording process directly influenced the final product's energy and tone.
What's missing
The article does not provide information about the album's musical style compared to previous releases, critical reception, or release date specifics beyond "July 17." Additionally, there is limited context about what sonic territory the band is exploring or how it differs from their earlier work.
How coverage differed
Rolling Stone's coverage emphasizes the emotional and personal aspects of the recording process, focusing on the band's comfort and vulnerability in their home neighborhood. The framing celebrates their connection to Philadelphia's indie rock community and presents the decision to record locally as a meaningful artistic choice rather than a practical one.
What different sources said
- Rolling StoneLeft
The Menzingers Are Done Living in the Past
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