Melbourne Ice Sculptor Kevin Kapusi Starow Brings Melting Art Form to Frankston Fire Festival
Kevin Kapusi Starow, a Melbourne-based ice sculptor, will demonstrate his craft at the inaugural Frankston Fire Festival this Saturday, carving intricate ice sculptures live for the public. Starow has built a career spanning decades, commanding fees up to $15,000 per commission and competing internationally at events like the World Ice Art Championships in Alaska and festivals in China. His work highlights a declining profession—he estimates only five ice sculptors remain in Melbourne compared to at least 20 in the mid-1990s.
Kevin Kapusi Starow is a professional ice sculptor based in Melbourne who will perform live ice carving at the Frankston Fire Festival on Saturday, offering the public a rare chance to see his work for free. The article profiles his career trajectory, which began with carving Santas for Christmas displays while working as a chef and has evolved into custom commissions for weddings, corporate events, television advertisements, and films. Starow competes internationally, including at the World Ice Art Championships in Fairbanks, Alaska, and the Harbin Ice Festival in China, where he has created elaborate pieces ranging from humorous sculptures (an ice toilet with a skeleton reading a newspaper) to classical subjects (Neptune riding a lobster). He emphasizes the ephemeral nature of ice as central to his artistic vision, noting how light refraction through melting ice creates evolving visual effects. Starow expresses concern about the profession's decline and hopes to teach ice sculpting at TAFE to preserve the tradition.
What different sources said
- Sydney Morning HeraldCenter
Chipping away at it: the artist with burning passion for ice sculpting
Related

Documentary 'Hollywood Does Abortion' Claims Entertainment Industry Stigmatized Abortion Through Misleading Portrayals
A new documentary premiered at the Tribeca Film Festival arguing that Hollywood films and television shows have historically depicted abortion in a stigmatized and inaccurate manner, from the 1970s to recent years. The filmmakers contend that portrayals often featured false medical complications, miscarriages that prevented characters from making abortion decisions, or exaggerated post-abortion regret. The documentary's claims have drawn responses from both abortion-rights and pro-life advocates, with disagreement over the accuracy of abortion's depiction in media and its real-world consequences.
Richmond's 2009 Exhaustive Coaching Search: A Model for AFL Recruitment
An opinion piece examines Richmond's comprehensive two-stage coaching search process in 2009 that ultimately selected Damien Hardwick, who led the club to three premierships in four years. The process involved eight initial candidates and a rigorous evaluation of coaching philosophies, tactical knowledge, and team-building approaches. The article argues the process succeeded not only in selecting the right coach but in identifying a strong pool of candidates who collectively became successful AFL coaches.
NGV's Cartier Exhibition Showcases Luxury Craftsmanship Amid Questions About Brand-Focused Museum Programming
The National Gallery of Victoria has opened a major Cartier jewelry exhibition featuring hundreds of pieces spanning over a century, originated from London's Victoria & Albert Museum. The show displays exceptional craftsmanship and historical context tracing the brand's evolution from a family business founded in 1847 through its association with royalty, industrialists, and celebrities. The exhibition raises ongoing questions about whether major cultural institutions should dedicate significant space to luxury brand showcases rather than art-focused programming.