Hobart's Drag Kings Bring Bogan Masculinity and Queer Community to Tasmania's Stages
A small but growing community of drag kings in Hobart, Tasmania, is finding creative expression and personal identity through performances that satirise and celebrate working-class Australian masculinity. The scene has expanded beyond dedicated LGBTQIA+ venues since the closure of Hobart's only gay bar in 2020, with drag shows now appearing across mainstream venues. Performers say the art form has helped them build confidence, community, and a more authentic sense of self.
In Hobart, Tasmania, a handful of drag kings are carving out a vibrant niche in the local queer arts scene, performing bogan-inspired characters at venues across the city. Key performers include Dirty Damo (Soph Keegan), Gary Snow (Shan Hooper), and Barry Bothways (Phoebe Adams), whose acts draw on working-class Australian masculinity, personal family histories, and experiences navigating male-dominated industries. The loss of Hobart's only dedicated gay bar during the COVID-19 pandemic in 2020 paradoxically broadened the drag scene's reach, pushing performances into traditionally heteronormative spaces where they have found enthusiastic new audiences. Several performers describe drag as personally transformative, helping them explore non-binary identities, overcome stage anxiety, and build genuine community with cisgender, heterosexual allies. Phoebe Adams, who has been performing since 2013, says the art form challenges the gender divide and can erode patriarchal structures by reducing the emphasis placed on gender altogether.
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- ABC AustraliaCenter
Meet the mullet-bearing drag kings of Hobart lip-syncing about Centrelink
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